BIO

Candida Rifkind has a BA (Hon.) in English from Dalhousie University (Halifax, NS), an MA in English from Concordia University (Montreal, PQ), and a PhD in English from York University (Toronto, ON). She is currently Associate Professor in the Department of English at the University of Winnipeg, where she specializes in alternative comics and graphic narratives, Canadian popular and political writing, and feminist auto/biography theory. Her co-edited scholarly collection with Linda Warley, Canadian Graphic: Picturing Life Narratives (Wilfrid Laurier UP, 2016), won the 2016 Gabrielle Roy Prize for the best book in English Canadian literary criticism. Her scholarly monograph, Comrades and Critics: Women, Literature and the 1930s Canadian Left (University of Toronto Press, 2009), received the 2009 Ann Saddlemyer Award for the best book published on a Canadian theatre topic.

Recent and forthcoming publications in Comics Studies include journal articles on the graphic memoirs of Geneviève Castrée, the history of Marie Curie comics and Lauren Redniss’s Radioactive, graphic biographies of Robert Oppenheimer and the figure of the atomic scientist, and graphic narratives of migrant detention centres and refugee camps. Recent book chapters focus on photography and Civil Rights in Lila Quintero Weaver's graphic memoir, Darkroom, and metabiography and black visuality in Ho Che Anderson’s comics biography, King. Recent and forthcoming publications in Canadian Studies include book chapters on the public memorialization and biomythology of Dr. Norman Bethune, the biotopographies of Seth’s “picture novella” George Sprott, and visual nostalgias of the Canadian company town. She was awarded a SSHRC Insight Grant (2015-18) to research graphic biography and a SSHRC Aid to Small Universities Grant (2018) to coordinate an annotated bibliography of Indigenous comics and graphic novels and co-write a book chapter on the Indigenous graphic novel Will I See?. She is currently researching comics about migrants and refugees and continuing to study Canadian women's autographics.

She is First Vice President of the Comics Studies Society 2018-19 (President Elect 2019-20) and serves on the Editorial Advisory Board of the journal iNKS, the Advisory Board of the Canadian Society for the Study of Comics/La Sociéte canadienne pour l’étude de la bande dessinée, and regularly reviews comics and graphic narratives for the Winnipeg Free Press. With Barbara Postema and Nhora Serrano, she is co-editor of the new Wilfrid Laurier University Press book series Crossing Lines: Transcultural/Transnational Comics Studies.

EMAIL

c.rifkind [at] uwinnipeg.ca

MAIL

Department of English

University of Winnipeg

515 Portage Ave

Winnipeg MB

CANADA R3B 2E9

 

 Photo by  David Lipnowski